I was totally enchanted by an exhibit of Pierre Bonnard's later paintings, mostly of interiors, that are currently on view at the Met in New York. My particular fascination was with the thumbnail sketches that accompanied the paintings. Some were on scraps of paper, some in sketchbooks or journals mixed in with lists and notes. Most were pencil sketches but some had watercolor or goache as well. Apparently he did not paint his interiors as still lifes but often scribbled down scenes and returned to paint from his sketched notes later. The interiors and household items were familiar to him, many show up in multiple paintings, but the compositions were captured as he noticed them and stored away for future paintings. His somewhat unusual cropping of figures shows up in the sketches too. In some cases the paintings that resulted from the sketches were on view and it was great to see his process more fully... almost made me want to pick up a paintbrush instead of my usual paper and glue! On the wall of the exhibition, the following quote from Bonnard seemed most appropriate to the show and most profound... "I'm trying to do what I've never done, give the impression one has on entering a room: one sees everything and at the same time nothing." So glad I got to see this show... sometimes it's the story behind the work that really adds meaning -- his sketches were quickly captured and really wonderful to see in combination with the finished paintings. As usual, I wish I'd had time to linger longer!
Work in Progress
Blue Green Beginnings
I've started work on a new collage that has an entirely different color palette from anything I've done in a long time... icy and grayed-green blues with chartreuse greens. Not sure where it will take me but it's rather refreshing and fun as it develops. The piece is 10 x 20" and in its very preliminary stage. Often early layers are almost completely obscured by the time I'm finished. I will try to document this one in process over the next week or so.
Glowing Color
On my birthday I went to see "In Contemporary Rhythm: The Art of Ernest L. Blumenschein" show at the Denver Art Museum. What a great way to spend the afternoon! Blumenschein started out as an illustrator. He discovered the southwest when doing artwork for railroad promotions and the area and its inhabitants became his main subject as he evolved into a fine artist. He was a founding member of the Taos Society of Artists. The glowing colors in his paintings are captivating. The simplification of shapes/patterns are very modern and bold. I had not expected to be so taken with Blumenschein's work or story, but ended up buying the catalog so I could revisit the images and learn more about him. The show is at the museum until February 8th. My images don't do his work justice, so go see it if you can!


